The Fragile Testament of Erosion

Ghost Trees Print by Michelle Burgess

Ghost Trees Print by Michelle Burgess

The Fragile Testament of Erosion Exhibit

Documenting the striking erosion of the coastline of Louisiana has inspired artists in different mediums. The stunning photography of Virginia Beahan in Disappearing: An archive of land loss in coastal Louisiana is one example. On display in Reiss Hall, Virginia’s work provides a window into her artistic vision as well as the poignancy of the loss of landscape in Southern Louisiana. This companion exhibit highlights two artists who collaborated to document the eroding coastline in unique book formats.

Ghost Trees and Reliquary are an artistic collaboration between poet and Louisiana native Martha Serpas and printmaker Michelle Burgess at Brighton Press. Both books are part of Michele Burgess’s collaborative series, “The Stratigraphic Archives.” Burgess, who passed away in 2024, described this series as an exploration of the processes, forms, and markings that reflect the patterns, gestures, and atmospheres of both quiet and cataclysmic events. She was interested in the relationship of these events to the human condition and the conditions of nature at its most fragile. She explored the concepts of palimpsest, time and gesture, erasure, and repair. Working in collaboration with other artists and poets, she sought to combine human history and natural history, working with ideas inspired by places such as churches and reliquaries, geological sites, art museums, personal memory, natural history museums, riverbeds and ocean floors, and library rare book rooms. Martha Serpas’ view of the books is that both translate the feeling of the elements at work. 

“I am imagining one of these books, its pages flipping as if wind-tossed, as an experience of the wind as passionate with a double effect—cleansing and destructive.” [https://www.brightonpress.net/our-collaborators ]

Reliquary

Reliquary Print by Michelle Burgess

Call Number: PS3619.E77 R46 2016 

Reliquary is the first collaboration between Michele Burgess and Martha Serpas and is volume nine in the Stratigraphic Archive. The poems are focused on Louisiana, where her hometown of Galliano is disappearing into the Gulf of Mexico due to coastal erosion and rising seawaters. Burgess's etchings are concerned with the disappearance of the languages and patterns of nature. The etchings are “ghost” printings on Twinrocker paper collaged with torn fragments from the first impression of the print on Gampi paper, making each edition unique. Each volume is bound in cloth and leather by Claudia Cohen and housed in a clamshell box made by Sonja Jones. The poem was handset in Perpetua and printed letterpress by Nelle Martin.

Ghost Trees

Ghost Trees Poem by Martha Serpa

Call Number: N7433.4.B865 G5 2017 

Ghost Trees is the second collaboration between Michelle Burgess and Martha Serpa and is volume ten of the Stratigraphic Archive. This volume also combines the poetry of Martha Serpas with 23 drypoints and 2 etchings by Michele Burgess. The poem first appeared in ‘The Dirty Side of the Storm’ and was reprinted with permission for this edition. The drypoints were printed by hand from copper plates and were hand-colored on Echizen Shikibu Gampi paper by the artist. This edition includes one of the copper plates, bound into the clamshell box by Mark Tomlinson. The text was handset in Perpetua and printed letterpress by Nelle Martin.

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