This exhibit uses a select group of five Artist’s Books from the Sherman Art Library Special Collections to explore memory: how do we cement our memories and, conversely, what happens when we can’t hold onto those memories?

Book with pop up pages
Artist Books from the Sherman Art Library Special Collection

These books creatively use translucent material, the flexibility of the English language, and unusual structures to convey, how we see it, a different aspect of memory. 

Two of these books, Memory Loss and Book of Seconds, try to encapsulate the experience of dementia by including fragmented language and scattered thoughts.  On the contrary, two other books represent ways that people secure their memories: in a typical book, a diary, a collection of poems (Words that Burn), or in a box, a gift, a keepsake (Haiku Box).  Chapter Zero is a unique book of juxtaposed word pairings–reflecting the dichotomy of memory–the thin line between remembering and forgetting.  The juxtapositions in the book also reveal a distinctive aspect of individualized memory: two people can have completely different accounts of the same event. 

Book of Seconds: Memory Loss by Robbin Ami Silverberg, 2005

Typed, printed, and handwritten text on background

Book of Seconds: Memory Loss by Robbin Ami Silverberg, 2005

Call Number: N7433.4.S55 B66 2005

According to Silverberg, the text, which is printed, typed, and handwritten, is divided into 3 chapters that focus on memory issues: Forgetting Names, Confusing Word Order, and Ideas Without Language. Repeated phrases which are altered to the point of intelligibility bring to mind resonances with those who struggle with mental illness. What begins as the inability to remember an event ends up as an inability to use coherent language altogether.

Artist Statement

After producing paper for 25 years, I was less challenged by what we call ‘perfect’ paper.  I made translucent abaca pages with purposeful alterations: folds and creases give the paper the feel of another material.  I wanted to activate the substrate, to explore my theme of failing memory. These papers suggested to me the ‘curtain falling on the last act’ I might say.

Chapter Zero by Irene Chan, 2002

Chapter Zero by Irene Chan, 2002

Call Number: N7433.4 C4236 C44 2002

Chapter Zero is a sculptural 4” x 4” x 1 ¼” book made of vellum containing six words and phrases. This book can be turned into 4 distinct views such that you are viewing two words backwards and one written from left to right. The position of each word changes in the four views.

Vellum book in star shape

Artist Statement

Book of text about nothingness “pops” into shape. Immerse in water to read.

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