The exhibition seeks to highlight the intricacies of the two books, encouraging viewers to look closer for hidden treasures. What differences are there between the two books? How do the pages and messages change the closer you look?
The Decorated Devotion of Early Medieval Illuminated Manuscripts
This exhibit showcases two of the most notable books of early Celtic Catholicism, The Book of Kells and the Lindisfarne Gospels. These manuscripts were used more as objects of show and tell rather than as reading material. The books highlight how Celtic Catholic Churches of the time sought to spread the glory of God and his worship to an audience of largely illiterate folk. The flamboyant, intricate artwork and use of decorative insular majuscule (or highly decorative script) elevated these books from vessels of the Lord's gospel to examples and dedications to the grandeur of God himself.
When viewing this exhibit, compare and contrast the imagery and style of the text and ornamentation, specifically looking at the Argumentum to Mark pages, Chi Rho pages, Carpet pages, and Icon pages (detailed below).
The Book of Kells
The Book of Kells is a manuscript believed to originate from both the island of Iona, Scotland, and Kells, Ireland. The Book is an illuminated manuscript, meaning it details the life of Jesus Christ in Latin through the four Gospels of the New Testament: Matthew, Mark, Luke, and John. At 340 folios (680 pages), it is an incredible example of craftsmanship, and even more so as it is dated to 800 CE. It showcases the style of Insular art, which was developed throughout Britain and Ireland in the Middle Ages. The manuscript is globally renowned as a masterpiece of medieval art and Catholic devotion. Devotion so great that grandeur and aesthetics may have even trumped the book's practical purposes.